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RECENT HIGHLIGHTS

  • Salt of the Earth

    Our own production, Salt of the Earth - about the South Australian man who invented Chicken Salt - recently had its world premiere at the Adelaide Film Festival!

  • Damon Gameau

    We chat to Damon Gameau, the Aussie filmmaker behind 2040, That Sugar Film and Regenerating Australia, ahead of his keynote address at Screen Forever this May.

  • Elise McCredie

    We sit down with Elise McCredie, the showrunner and writer behind Stateless and the upcoming Disney+ series The Clearing, for a wide-ranging discussion ahead of her panel presentation at Screen Forever this May.

  • Shayda Review

    Shayda is a must see, standing as a relevant and thought-provoking piece of cinematic art.

Damsel Review
Reviews Aida Vucic Reviews Aida Vucic

Damsel Review

Damsel attempts to infuse a feminist twist into the traditional damsel-in-distress narrative, but ultimately falls short of delivering a compelling and engaging story.

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Control
Reviews Jacob Richardson Reviews Jacob Richardson

Control

Control is intriguing only in the fact that someone was willing to let Spacey back into the fold. Outside of that, the film is poorly acted, poorly edited, poorly shot, and poorly written. A complete travesty, barely consumable as a hate-watch. Avoid at all costs.

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Dune: Part Two Review
Reviews Jacob Richardson Reviews Jacob Richardson

Dune: Part Two Review

One of the best movies of this century, Dune: Part Two never fails to impress. If you have to crawl across the burning sands of Arrakis to see this film, do it - you won’t be disappointed.

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Drive Away Dolls Review
Reviews Jacob Richardson Reviews Jacob Richardson

Drive Away Dolls Review

A rip-roaring, fast paced, outspoken comedic crime farce, Drive Away Dolls is a swing for the fences piece of cinema. It’s a blast, but a relatively un-impactful one.

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Mean Girls Review
Reviews Jacob Richardson Reviews Jacob Richardson

Mean Girls Review

This updated adaptation of the classic comedy coasts by on love of the first enjoyably enough, and adds a couple of funny jokes, but never recaptures the magic.

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Ferrari Review
Reviews Jacob Richardson Reviews Jacob Richardson

Ferrari Review

Ferrari crashes and burns by the end, completely missing what makes Ferrari worth a biopic, and delving into the least interesting parts of his life. Baffling creative decisions, some truly poor CGI, and an array of deeply flawed Italian accents characterize what should have been a film about the man who invented Ferrari.

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The Boys In The Boat Review
Reviews Jacob Richardson Reviews Jacob Richardson

The Boys In The Boat Review

There’s something quite lovely about this film, irrespective of how cliche it feels. They don’t make movies like this anymore - a sort of Dead Poets Society on water.

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Napoleon Review
Reviews Jacob Richardson Reviews Jacob Richardson

Napoleon Review

Sumptuous and expansive, Ridley Scott’s Napoleon is a gorgeously told epic, but struggles to truly capture the famed Emperor and his exploits, despite its expansive runtime. Perhaps Napoleon simply did too much to be reduced into a 2 and a half hour film? 

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